The Ritual Landscape at Persepolis: The Glyptic Imagery from the Persepolis Fortification and Treasury Archives. The Collège de France Lectures. Persika 17. Paris: de Boccard, in press.
"Royal Achaemenid Iconography." In Oxford Handbook of Ancient Iran, D.T. Potts (ed.), pp. 566–95. Oxford: Oxford University Press, 2013.
"Seals, Ancient Near East." In Encyclopedia of Ancient History, R.S. Bagnall, K. Brodersen, C.B. Champion, A. Erskine, and S.R. Hoebner (eds.). Oxford: Wiley-Blackwell Press, 2013.
"Antiquarianism, Copying, Collecting." In A Companion to the Archaeology of the Ancient Near East, D.T. Potts (ed.), pp. 27–47. London: Wiley-Blackwell, 2012.
"Les arts visuels du début de l’ère achéménide ont-ils représenté l’autel du feu et le feu sacré zoroastriens?" Religions & Histoire 44 (2012): 42–45.
"By the Favor of Auramazdā: Kingship and the Divine in the Early Achaemenid Period." In More than Men, Less than Gods: Studies in Royal Cult and Imperial Worship. Proceedings of the International Colloquium Organized by the Belgian School at Athens (1–2 November 2007), P.P. Iossif, A.D Chankowski and C.C. Lorber (eds.), pp. 15–104. Studia Hellenistica 51, Leuven-Paris-Walpole MA: Peters, 2011.
Elam and Persia. Eisenbrauns: Winona Lake, 2011 (co-author and co-editor with J. Álvarez-Mon).
"Notes on a Boar Hunt (PFS 2323)." Bulletin of the Institute of Classical Studies 54 (2011): 17–20.
"Introduction" and "Afterword." In Elam and Persia, J. Alvarez-Mon and M. B. Garrison (eds.), pp. 1–32 and 489–493. Winona Lake: Eisenbrauns, 2011 (co-author with J. Alvarez-Mon and David Stronach).
"The Seal of 'Kuraš the Anzanite, Son of Šešpeš' (Teispes), PFS 93*: Susa – Anšan – Persepolis." In Elam and Persia, J. Alvarez-Mon and M. B. Garrison (eds.), pp. 375–405. Winona Lake: Eisenbrauns, 2011.
"The Heroic Encounter in the Visual Arts of Ancient Iraq and Iran c. 1000–500 B.C." In The Master of Animals in Old World Iconography, ed. D.B. Counts and B. Arnold, pp. 151–174. Archaeolingua. Budapest 2010.
"Seals Bearing Hieroglyphic Inscriptions from the Persepolis Fortification Archive." ARTA 2010.002 (co-author with Robert Ritner).
"Archers at Persepolis: The Emergence of Royal Ideology at the Heart of the Empire." In The World of Achaemenid Persia, History, Art and Society in Iran and the Ancient Near East, ed. J. Curtis and St. John Simpson, pp. 337–368. Tauris: London 2010.
My primary research interests are the glyptic arts of ancient Iran and Iraq in the early first millennium BC. I specialize in the glyptic preserved on two large archives from Persepolis, the Persepolis Fortification tablets and the Persepolis Treasury tablets.
Margaret Cool Root and I are authors of Seals on the Persepolis Fortification Tablets, Volume I: Images of Heroic Encounter, Oriental Institute Publications 117 (Chicago 2001). In addition to the documentary work represented in that publication, my research has focused upon social aspects of glyptic production in workshops in Persepolis, especially the issues surrounding the impact of individuals of high status and/or administrative rank on the development of glyptic style and iconography in the early Achaemenid period. This work has also addressed the emergence and development of royal ideology in glyptic at Persepolis, religious imagery in Achaemenid art, and the relationship of glyptic of the early Achaemenid period with earlier glyptic traditions in Elam and Mesopotamia.